Buy this book on-line WIEDEMANN, JULIUS - Edited by: : ANIMATION NOW!GERMANY.KOLN.TASCHEN,2007. ISBN 9783822837894.
UK,thick 8vo HB+dw/dj,1st edn thus.[Originally published Germany,TASCHEN GmbH,Koln in 2004.This re-issue,is a Taschen's 25th Anniversary special edition published 2007,to celebrate publisher's 25th Anniversary in publishing.Text in three languages: English,French and German.English translation by Amanda T. Warren.] FINE+/FINE+. Virtually as new.No owner inscrptn,and no clip to dw/dj - lack of publisher's price on inner
flaps of dw/dj.Bright,crisp,clean,glossy+matt colour photographic+colour artwork illustrated dw/dj panels,with b/w+red lettering; with negligible shelf-wear and creasing to edges and corners - no nicks or tears present.Top+fore-edges bright and clean; contents bright,tight,
clean - pristine - no dog-ear reading creases to any pages' corners,appears unread - apart from my own collation.Bright,crisp,clean,sharp-cornered,orange paper-covered boards with white outline number 25 to front board+spine/backstrip and black ink lettering to same,a white headband and immaculate publisher's logo illustrated endpapers.UK,thick 8vo HB+dw/dj,1st edn thus,4- 351pp [paginated] includes an introduction,81 sections covering either individual animators or animation companies,profuse colour (the majority) and b/w illustrations/stills etc throughout the text and the book - with captions and information; plus [unpaginated] b/w+colour sketches illustrated half-title page,colour pictorial illustrated double-paged title page.
This re-issue of 'Animation Now!',first published in 2004,forms a part of the commemoration to the 25th anniversary of the TASCHEN publisher.This work offers a panorama of current animation,and it attempts to be as complete as possible.The most diverse techniques
have been considered,from simple graffiti on paper and sand on glass to the generation of computer images and hybrid languages that are endlessly being developed.It includes the sophisticated work derived from the plastic arts and the swift lines of impact communication. There is a place for narrative elements and experimental fragments,for the concrete and the abstract,and for paying homage to the past and to the seeds of the future.
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